Presented by JaZzLine Institute, supported by the California Arts Council
Sylvia Cuenca is an active drummer on the New York and SF Bay Area jazz scenes who is contributing outstanding performances in a variety of situations. She has had the honor of sharing the bandstand with saxophone legend Joe Henderson for 4 years and trumpet legend Clark Terry for 17 years. The Joe Henderson quartet toured frequently in European countries Norway, Denmark, Sweden, Austria, Belgium, England, Switzerland, France, Italy and Germany and venues across the U.S. In a trio setting she performed with Joe Henderson and Charlie Haden in 1989 and with George Mraz in 1994. She performed with the Clark Terry Quintet and Big Band at Village Vanguard, Birdland, Blue Note, Queen Elizabeth 2, Royal Viking, S.S. Norway jazz cruises and clubs, concerts and festivals in the U.S, Europe, the Caribbean and South America. While working with the Clark Terry quintet she had the opportunity to perform with guest artists Al Grey, Red Holloway, Jimmy Heath, Frank Wess, Marian McPartland, Dianne Reeves, Joe Williams and Lou Donaldson to name a few.
Cuenca has also performed with such jazz luminaries as Billy Taylor, Frank Foster’s Loud Minority Big Band, Houston Person, Etta Jones, Helen Merrill, John Hicks, Valery Ponomarov, Lew Soloff, James Spaulding, Kenny Barron, Ray Drummond, Michael Brecker, Randy Brecker, George Cables, Hilton Ruiz, Jon Faddis, Eddie Henderson, John Handy, Kenny Drew Jr., Emily Remler, Richie Cole, Dave Stryker, Gregory Porter, Jessie Davis, Sean Jones, John Clayton, Ralph Bowen, Vincent Herring, Paul Bollenback, Geoffrey Keezer, Mark Whitfield, Ralph Moore, Paula West, Catherine Russell, Dianne Reeves, Dianne Schuur, Denise Donatelli, Ernestine Anderson, Lea Delaria, the European based Vienna Art Orchestra and many others. In 2007 she performed in a live taping of Black Girls Rock concert in New York City with pop star Alicia Keys. In 2015 she performed at Dizzy’s Jazz at Lincoln Center in NYC and the Kennedy Center for the Performing Arts in Washington, D.C. with Albert “Tootie” Heath’s 4 drum set group called “The Whole Drum Truth” which also included drummers Louis Hayes and Joe Saylor.
She was a guest clinician at the Sisters in Jazz Program at the IAJE Convention in NYC and the Mary Lou Williams Jazz Festival at the Kennedy Center in Washington D.C. Cuenca has been a longtime faculty member at the Jazz for Teens and Pre-Teen Program at NJPAC and the Stanford Jazz Workshop in California. Recently she has been on faculty at Roni Ben-Hur’s Summer Jazz Camp in Vermont. She was an artist-in-residence at various universities in the U.S. and Europe with the Clark Terry quintet, Eddie Henderson quartet and as a leader with her own groups. In 2014 she received a B.A. degree in Jazz Performance from Empire State University in NYC.
In 1988 and 1991 Cuenca received jazz performance grants from the National Endowment for the Arts and in 1992 she was a semi-finalist in the Thelonious Monk International Drum Competition. In 2022 she received San Jose Jazz New Works grant.
She has studied with jazz master drummers Adam Nussbaum, Victor Lewis, Keith Copeland and Brazilian drummer Portinho. Sylvia endorses Canopus Drums, Zildjian Cymbals, Vic Firth sticks and brushes, and Remo Drumheads.
Our popup venue and video recording studio that we've developed in our offices at 310 S. First (map) at San Carlos in San Jose’s SoFA District. The technology of the space is first-class with marvelous sound, lighting and video, and all the action is projection-mapped to a 35′ X 14′ bank of windows, providing the show free to the public and enlivening downtown street life.
JaZzLine Institute, supported by the California Arts Council
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