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The phenomenon of Guitar Hero is unaccountable to most musicians. Why would anyone spend hours miming moves with a fake instrument when given similar time investment you could make music yourself, live, and with friends? Nonetheless, the game is the Christmas season's most highly anticipated music item. As for disappointing early sales reports for "World Tour," its just-released new edition, aren't sales down for everything, everywhere?
Here's my flick at stimulating the music economy -- consumer alerts to recommended new cds by guitar heroes who can really play: David Fiuczynski, Mary Halvorson, Toninho Horta,Charlie Hunter, Bireli Lagrene, plus special mentions of Rez Abassi, Bruce Eisenbeil's Totem and Elvin Bishop.
Continue reading Guitar heroes, virtual and actual.
Mostly Other People Do The Killing is a super-serious-with-a-sense-of-humor Philadelphia-based quartet paying homage to Ornette Coleman with its hot new album This Is Our Moosic.The cd's cover photo cops and mocks the oh-so-cool look of Coleman's earth-shaking quartet on its classic 1960 release This Is Our Music




-- but more impressive is the young band's music, which in its leader's explicit liner notes endorses Coleman's revolutionary "free jazz" concept and in ensemble play expands upon it without being imitative. A nominee for best album of the year?
Continue reading Mostly Other People's killer liner notes.
It's odd that of all the nuances of expression jazz can convey, the thrill of victory and celebration of success is hard to find among the music's classics. Barack Obama's heartening win of the presidency prompts me to search out joyous music, but I can't think of a movement akin to the bells ringing in Tchaikovsky's "1812 Overture" in the repertoire of Miles, Ornette, Cecil or Coltrane, Mingus, Monk, Bird and Diz, or Ellington, Basie and Goodman. The crowning last chorus of Armstrong's "Tight LIke This" comes to mind, though the satisfaction bespoke in the trumpeter's final ringing notes seems to reflect gratification that's more personal than socio-political. Where's jazz's happy party music?
Continue reading The jazz of victory and celebration .
A talker and listener, actor-dj-writer-oral historian, good humored realist and pragmatic idealist, Studs Terkel (1912 - 2008) stands as an American cultural patriot, who enjoyed as rich if not untroubled a life as genuinely democratic artist might hope for over the course of the 20th century -- earning Roger Ebert's thumbs up as greatest Chicagoan. Studs was hugely enthusiastic about music, loving blues as well as jazz, gospel, rootsy folk, the Great American Songbook, the soundtrack of the labor and Civil Rights movement, classical stuff too -- taste way above and beyond genre. May we sometime soon see his like again.
Continue reading hail Studs Terkel, Jazz Age Chicagoan.
Globalism held its head high at the tenth annual Ponta Delgada Jazz Festival last week. Five nights of concerts performed by an international coterie of improvisers in the superb acoustics of a nicely modernized old center-city theater for a stylish, educated audience didn't seem a cultural far cry, though they were held in the capital of the Azores, the mid-Atlantic archipelago 700 miles from mainland Portugal.
Continue reading Globalism in the Azores.
My focus shifts to the mid-Atlantic: for the next week I'll be hearing newly honored NEA Jazz Master Lee Konitz, pianist Joachim Kuhn, the Hot Club of Portugal Septet, reedist Marty Ehrlich's Rites Quartet and a band led by NYC multi-instrumentalist Daniel Carter at the 10th annual Festival de Jazz de Ponta Delagada -- where I'm also delivering a talk on "Jazz Now -- and It's Future" (during which I will tell all). Ponta Delgada is the largest city in the Azores, islands 700 miles west of Lisbon with a lengthy history as a port between Europe and the Americas. Reports from there to follow -- and if you happen to be in the vicinity, please say hello.

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About
Jazz Beyond Jazz
Miles Ornette Cecil: Jazz Beyond Jazz
Howard Mandel
I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association.
Contact me Click here to send me an email...
What if there's more to jazz than you suppose? What if jazz demolishes suppositions and breaks all bounds? What if jazz - and the jazz beyond, behind, under and around jazz - could enrich your life?
Miles Ornette Cecil: Jazz Beyond Jazz
I'll be speaking:
Howard Mandel
I'm a Chicago-born and New York-based writer, editor, author, arts producer for National Public Radio -- for more than 30 years, a freelance arts journalist
working on newspapers, magazines and websites, appearing on tv and radio, teaching at New York University and elsewhere. I'm president of the Jazz Journalists Association. Contact me Click here to send me an email...
Blogroll
Jazz Beyond Jazz
Jazz Journalists Association's Jazzhouse
Thelonius Monk Institute of Jazz
James Hale's Jazz Chronicles
The Bad Plus' Do The Math
Larry Blumenfeld's Listen Good
Fred Kaplan's Jazz Messenger
Doug Ramsey's Riffides
Hank Shteamer's Dark Forces Swing Blind Punches
Michael J. West's Pop Musicology
Tim Posgate's Canadian 'jazzlife'
David R. Adler's Lerterland
Dean Minderman's St. Louis Jazz Notes
Carl Wilson's cross-genre Zoilus
Darcy James Argue's Secret Society
David Ryshpan's Settled in Shipping
Dave Douglas's Greenleaf Music Blog
Pamela's Bebopified
Andrea Cantor's JazzInk
Kazue Yokoi's exblog (in Japanese)
Jazz.com
Bob Lewis' Jazz My Two Cents Worth
Marc Myers' Jazzwax
Jazz Journalists Association's Jazzhouse
Thelonius Monk Institute of Jazz
James Hale's Jazz Chronicles
The Bad Plus' Do The Math
Larry Blumenfeld's Listen Good
Fred Kaplan's Jazz Messenger
Doug Ramsey's Riffides
Hank Shteamer's Dark Forces Swing Blind Punches
Michael J. West's Pop Musicology
Tim Posgate's Canadian 'jazzlife'
David R. Adler's Lerterland
Dean Minderman's St. Louis Jazz Notes
Carl Wilson's cross-genre Zoilus
Darcy James Argue's Secret Society
David Ryshpan's Settled in Shipping
Dave Douglas's Greenleaf Music Blog
Pamela's Bebopified
Andrea Cantor's JazzInk
Kazue Yokoi's exblog (in Japanese)
Jazz.com
Bob Lewis' Jazz My Two Cents Worth
Marc Myers' Jazzwax
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About Last Night
Terry Teachout on the arts in New York City
Terry Teachout on the arts in New York City
Artful Manager
Andrew Taylor on the business of arts & culture
Andrew Taylor on the business of arts & culture
blog riley
rock culture approximately
rock culture approximately
CultureGulf
Rebuilding Gulf Culture after Katrina
Rebuilding Gulf Culture after Katrina
Dewey21C
Richard Kessler on arts education
Richard Kessler on arts education
diacritical
Douglas McLennan's blog
Douglas McLennan's blog
Flyover
Art from the American Outback
Art from the American Outback
Life's a Pitch
For immediate release: the arts are marketable
For immediate release: the arts are marketable
Mind the Gap
No genre is the new genre
No genre is the new genre
Performance Monkey
David Jays on theatre and dance
David Jays on theatre and dance
Rockwell Matters
John Rockwell on the arts
John Rockwell on the arts
Straight Up |
Jan Herman - arts, media & culture with 'tude
Jan Herman - arts, media & culture with 'tude
dance
Foot in Mouth
Apollinaire Scherr talks about dance
Apollinaire Scherr talks about dance
Seeing Things
Tobi Tobias on dance et al...
Tobi Tobias on dance et al...
jazz
Jazz Beyond Jazz
Howard Mandel's freelance Urban Improvisation
Howard Mandel's freelance Urban Improvisation
ListenGood
Focus on New Orleans. Jazz and Other Sounds
Focus on New Orleans. Jazz and Other Sounds
Rifftides
Doug Ramsey on Jazz and other matters...
Doug Ramsey on Jazz and other matters...
media
Out There
Jeff Weinstein's Cultural Mixology
Jeff Weinstein's Cultural Mixology
Serious Popcorn
Martha Bayles on Film...
Martha Bayles on Film...
classical music
The Future of Classical Music?
Greg Sandow performs a book-in-progress
Greg Sandow performs a book-in-progress
On the Record
Exploring Orchestras w/ Henry Fogel
Exploring Orchestras w/ Henry Fogel
Overflow
Harvey Sachs on music, and various digressions
Harvey Sachs on music, and various digressions
PostClassic
Kyle Gann on music after the fact
Kyle Gann on music after the fact
Sandow
Greg Sandow on the future of Classical Music
Greg Sandow on the future of Classical Music
Slipped Disc
Norman Lebrecht on Shifting Sound Worlds
Norman Lebrecht on Shifting Sound Worlds
publishing
book/daddy
Jerome Weeks on Books
Jerome Weeks on Books
Quick Study
Scott McLemee on books, ideas & trash-culture ephemera
Scott McLemee on books, ideas & trash-culture ephemera
theatre
Drama Queen
Wendy Rosenfield: covering drama, onstage and off
Wendy Rosenfield: covering drama, onstage and off
lies like truth
Chloe Veltman on how culture will save the world
Chloe Veltman on how culture will save the world
Stage Write
Elizabeth Zimmer on time-based art forms
Elizabeth Zimmer on time-based art forms
visual
Aesthetic Grounds
Public Art, Public Space
Public Art, Public Space
Artopia
John Perreault's art diary
John Perreault's art diary
CultureGrrl
Lee Rosenbaum's Cultural Commentary
Lee Rosenbaum's Cultural Commentary
Modern Art Notes
Tyler Green's modern & contemporary art blog
Tyler Green's modern & contemporary art blog